WALA Metro Adventure: Movement, Distance and Anatomy of the City. This performance-event was in the format of a guided tour for vistors / audience / participants who specially came for the tour and the incidental passengers of Delhi metro. The chosen route from Central Secretariat Metro Station, New Delhi to Huda City Centre, Gurgaon covers a range of experiences such as underground space travel to the eight-year old, unique, top-view perspective that metro allows to look at Delhi, which we one sees as an insider, a distanced view; the relationship between the horizontal expanse of the city with its verticality.
This performance/event is inclusive and sensitive to various elements such as behavioural change in everyday travelling in metro, in terms of seating arrangement of facing each other as opposed to bus travel. There is a change in ways of gazing the city and each other.It attempted to partake of historic fiction, mediating between reality, fantasy and falsehoods with interests in construction of this new mythology of the urban.
It is not just a linear relationship between centre and periphery that we are exploring. Infact, there is no center in our research and travel. There is a beginning point and a destination point. There is movement. Movement, distance and anatomy of the city.
We began the tour with a reading from Dante’s Inferno, expounding on our relationship as a guide and visitor to the nether world of underground metro.
“Were I a leaded mirror, I could not gather in your outer image more quickly than I have received your inner. For even now your thoughts have joined my own; in both our acts and aspects we are kin…” The Sound Travelled. It was carried. Transported and carried. It was a kind of madness. To hear the sound and see the body.
Invitations to join were sent out. The call. There were people watching.
More readings from Uday Prakash’s ‘Dilli ki Dewar’ and ‘Tirrich’. Memory of the outside recalled, re-phrased inside, under the tunnel; in darkness, the labyrinthine city with unknown beast, marked illness, collective illness and death above, near AIIMS.
“Let there be light…let there be light….let there be light….. and there was light!”
Introducing a new landscape, a world in light, above, outside the city, into a new city. Seeing the rocky terrain while approaching the city.
घिटोरनी एक ब्राह्मण बहुल क्षेत्र था| शुरुआती नाम गर्द्दी था| इससे सटे गांव कहा जाता है आयानगर|
926AD में एक गुर्जर जिसका नाम दादा देवी राम था …. राजस्थान में चित्रागढ़ नामक जगह से घिटोरनी आया था| उसने स्थानीय लोगों के साथ लड़ाई जीत ली है, और ‘खेड़ा’ के रूप में गांव का नाम दे दिया| बाद में इसका नाम फिर से घिटोरनी में बदल गया था|
इस गांव में अब कई कुश्ती खिलाड़ी है| …… और कई अखाड़े… जिम है| खेल-कूद को यहाँ ध्यान भी बहुत दिया जाता है|
इस गांव की आय-संपत्ति का मुख्य स्रोत है …किराया …. वोह लाखों प्रवासि लोग जो हर साल नई दिल्ली में बसने आते है और शहर के बाहरी इलाके में घर किराये पर लेते है. दोनों वाणिज्यिक और आवासीय स्थान किराए पर दिया जाता है|
Cutting lines. Re-entering.
It is the second performance of the series ‘Kachra Seth’s Observatory’, supported by FICA Public Art Grant. A unique and first ever Guided Tour of Delhi Metro. WALA engaged with the invited public and the metro-travellers as their Guide.